Well, that's one way to do a season finale. If an image is worth a
thousand words, I'll just use the following as a stand-in for my review:
That was my reaction to the pivotal final scene of the episode. I've
enjoyed this first season quite a bit, but never has it managed to make
me feel all the feels like it did tonight. Despite an aggravating lack
of post-Undertaking resolution, it was about as strong an episode as I
could have hoped for.
"Sacrifice got off to a slightly slower start than expected, despite
the fact that it kicked off with Ollie tied up in Malcolm Merlyn's seedy
little dungeon. I enjoyed this showdown as both men saw each other
clearly for the first time. But then Malcolm had to go and ruin it by
pulling the Bond villain routine - leaving his captive tied up with only
a couple of inept guards to make sure he didn't foil the fiendish
master plan. That and a few logic holes stood out this week. Another
example - why did no one on the Ferris Air flight notice that a missile
came within a couple dozen feet of blowing them up, or that said missile
turned right around and caused a massive explosion on the nearby
island? It's a wonder it took anyone another four years to find Ollie
Speaking of which, this episode was unusually front-loaded with
flashback scenes. It proved to be the wise approach, as it really would
have derailed the momentum of the Ollie/Malcolm showdown if the focus
kept shifting between past and present. These flashbacks offered an
action-packed showdown with plenty of explosions, but the real meat of
it came later when Ollie and Fyers had their Mexican standoff.
Writer/Producer Andrew Kreisberg promised a watershed moment in Ollie's
evolution from playboy to master archer, and that certainly arrived as
Ollie put Shado's lessons into action and bullseyed his nemesis right in
the throat. Aside from the relative lack of Slade in these scenes, the
flashbacks proved to be a worthy cap to Ollie's first year on the
island.
Any excuse to show off Ollie's abs...
Back in the present, the writers put a big green bow on just about
every major character relationship built up over the course of the
season. Ollie finally convinced Moira to strike back at Merlyn. Ollie
and Diggle ventured into battle as brothers and comrades. Thea and Roy
cemented their new bond. Detective Lance implored Laurel not to make the
same mistakes with her life that he did. And so on. For the most part, I
thought these many pivotal scenes worked well. The only one that didn't
quite do it for me was the big Ollie/Laurel romance scene. It came
across as fairly corny. But Katie Cassidy fared better in her role as
Laurel with the emotional phone call with her father. The theme of
sacrifice was evident in just about every avenue of the script this
week, making for a very consistent overall package.
It was clear that no expense was spared in putting this finale
together. One can picture the producers saving up all the extra cash
from the various Microsoft product placements over the past eight months
and then blowing it all on pyrotechnics and CG effects. It was a treat
to see a wider scope of action and a view of the Glades that was more
than a few ramshackle buildings. The CG wasn't really that convincing
during the earthquake sequence, but the effects crew deserve points for
trying and reaching beyond the usual scope of the show. The final battle
between Ollie and Malcolm also proved satisfying. It's always a bit of a
crapshoot as to whether the hand-to-hand combat will be filmed well or
ruined by jumpy camera cuts and editing. Here, the only problem was
again that the similarity of their uniforms made it a bit difficult to
distinguish between the two at times. Obviously that won't be a problem
moving forward.
Honestly, while I was generally very pleased with this episode, I
wasn't prepared to score it higher than the best of Season 1 coming into
the final segment. But that last scene between Ollie and Tommy made a
world of difference. My biggest worry with this finale was how the
writers would handle Tommy. Would he be given a heroic part to play?
Would he follow the same path as Harry Osborn and take up his dead
father's mantle? I was pleased to see that they went with the first
option in having him sacrifice his own life to save Laurel's. as it
necessary to actually kill Tommy? Probably not, and part of me will
always wonder what they could have done with the character in future
seasons. But on the other hand, both Stephen Amell and Colin Donnell
delivered excellent performances in what is probably my favorite single
scene of the entire season. It was heart-wrenching to see Ollie sobbing
over his dead friend and wishing it had been him instead. Refreshingly,
this episode offered a superhero conflict where the hero's victory was
incomplete and hollow. Malcolm totally Watchmen'd Ollie.
And that's where Arrow left us for the season. Yes, it's frustrating
that we didn't get to see the immediate aftermath of the battle. We
don't know how much damage was done to the Glades. We don't know if
Felicity faces further legal trouble or if Detective Lance still has a
job. We don't know what will become of Moira. In terms of the
flashbacks, we didn't catch any further glimpse of Fyers' benefactor.
There's a lot we didn't see. But really, is there a more emotionally
resonant way they could have wrapped up this finale than the death of
Tommy Merlyn? Probably not. And this lack of resolution just leaves that
much more fodder for Season 2.
GameStop tends not to remove big-name games
from major publishers without an official confirmation that a title is
dead, a source said. Moreover, it's exceedingly rare for GameStop to
delist a game that appeared on the cover of its Game Informer magazine.
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